'Under Paris': A Shark Tale Like No Other
Netflix has once again flexed its muscles in the horror genre with the release of 'Under Paris', a film that has its audience gripped in a blend of terror and intrigue. Directed by the visionary Xavier Gens, this shark attack movie is not just another addition to the genre but a unique twist set against the backdrop of the beautiful yet perilous city of Paris.
For aficionados of shark movies, 'Under Paris' offers something novel. Instead of the usual oceanic setting, the action takes place in the Seine River. The plot revolves around a grieving scientist, portrayed by the immensely talented Oscar nominee Bérénice Bejo. Her life takes a harrowing turn when a giant shark surfaces during a triathlon event. This unusual scenario sets the stage for a gripping narrative that explores themes of grief, fear, and redemption.
Star-Studded Cast and Riveting Performances
The cast of 'Under Paris' is nothing short of stellar. Bérénice Bejo delivers a performance that is both poignant and powerful, capturing the audience's empathy and admiration. She is joined by Nassim Lyes and Léa Léviant, who add depth and dimension to the movie with their commendable acting skills. Together, they navigate through a series of terrifying underwater encounters that leave viewers on the edge of their seats.
The Catacombs Scene: A Pinnacle of Horror
One of the most talked-about scenes in 'Under Paris' is set in the Parisian Catacombs. Known for its historic and eerie ambiance, the catacombs provide a perfect setting for a heart-pounding sequence of underwater mayhem. Fans have taken to social media to express their admiration for this particular scene, with many hailing it as one of the most anxiety-inducing moments in shark movie history. The claustrophobic tunnels, combined with the lurking threat of the giant shark, create a breathtaking blend of horror and suspense.
Critical Acclaim and Audience Divide
While fans rave about the film's thrilling scenes and gripping storyline, critics have also been generous with their praise. 'Under Paris' boasts an impressive 80% rating on Rotten Tomatoes. The Guardian has even gone as far as to call it 'one of the best shark movies ever made,' while Variety lauds its fresh take on the genre, comparing its impact to that of the classic 'Jaws'.
However, like any bold cinematic endeavor, 'Under Paris' has its share of detractors. Some viewers find the plot unconvincing and have labeled the film 'unwatchable.' These mixed reactions only add to the film's buzz, making it a topic of heated discussion among moviegoers. Regardless of differing opinions, 'Under Paris' has succeeded in leaving a lasting impression. It challenges the conventions of shark attack films and invites viewers to experience a blend of horror and beauty in the heart of Paris.
The Genre Revitalized
What sets 'Under Paris' apart from typical shark movies is not just its unique setting but also its exploration of deeper emotional themes. The protagonist's journey through grief and her confrontations with the monstrous shark serve as metaphors for personal demons and unresolved pasts. This added layer of psychological depth aims to resonate with audiences on a more profound level, elevating the film beyond mere thrills and chills.
In an era where horror films often adhere to formulaic approaches, 'Under Paris' stands out by daring to be different. Its success lies in its ability to fuse traditional horror elements with innovative storytelling. The Seine River, an unlikely venue for a shark attack, becomes a character in its own right, symbolizing the city's capacity for beauty and danger. This duality keeps the audience engaged, wondering what lurks beneath the surface.
A Visual Feast
Visually, 'Under Paris' is a feast for the eyes. The cinematography captures the essence of Paris, from its iconic landmarks to its lesser-known subterranean mysteries. The underwater scenes are particularly noteworthy, showcasing the seamless blend of practical effects and CGI. This visual prowess enhances the film's tension, making each shark encounter appear terrifyingly real.
Moreover, the use of sound and music plays a crucial role in amplifying the horror. The film's score, composed by an acclaimed musician, punctuates moments of dread and action with precision, ensuring that viewers are constantly on edge. The sound design, from the menacing growls of the shark to the echoing silence of the catacombs, immerses the audience fully into the narrative's suspense.
Conclusion: A Must-Watch for Horror Fans
Despite the polarizing opinions, 'Under Paris' has secured its place in the annals of shark attack movies. It is a film that dares to challenge conventions and invites viewers to embark on a terrifying yet exhilarating journey through the streets and depths of Paris. While some may find its narrative choices unconventional, there's no denying the film's ability to evoke strong emotions and stimulate thought-provoking discussions. Whether you're a horror aficionado or someone looking for a fresh cinematic experience, 'Under Paris' is a film that demands to be watched.
Currently streaming on Netflix, it's an opportunity to witness a daring take on the shark attack genre. So, grab some popcorn, dim the lights, and get ready for an adventure that promises to keep you hooked from start to finish.
I watched this at 3 AM and literally screamed when the shark popped up in the catacombs. My cat jumped off the bed. Worth it.
The way the water rippled around the Eiffel Tower? Chef's kiss.
While I appreciate the ambition behind this film, I must respectfully note that the suspension of disbelief required to accept a great white shark navigating the Seine’s brackish currents is considerable. Nonetheless, the cinematography and performances are commendable.
Paris? A shark? In the Seine? This is what happens when Hollywood forgets what reality looks like. In India, we have real monsters-traffic jams during Diwali. At least those are believable.
Also, why is every shark movie now a metaphor for grief? Next up: 'Under Mumbai' with a crocodile that represents unrequited love.
The production design here is next level. The way they rendered the light refraction through the water in the catacombs? That’s not just CGI-that’s art. And Bérénice Bejo? She’s carrying the emotional weight of the entire film like it’s nothing. This isn’t just a horror flick-it’s a character study wrapped in fins.
Okay but let’s be real-this is just Jaws with a French accent and better lighting. The catacombs scene? Cool, but I’ve seen this trope in three different video games. Also, why does every female lead in these movies have to be grieving? Can’t she just be mad because her ex stole her kayak?
I’m obsessed 😍 the way the shark’s shadow moves under the Pont Alexandre III? Pure cinematic magic. Also, the score? I replayed it 5 times. This is the shark movie I didn’t know I needed. 🐟💔
I grew up near the Seine. Never saw a shark. But I did see a guy try to swim across it with a backpack full of baguettes. That was weirder. Still, the movie? Good vibes. Paris looks beautiful even when it’s trying to kill you.
There’s something deeply symbolic here. The shark isn’t just a predator-it’s the embodiment of unresolved trauma surfacing in places we thought were safe. The Seine, the catacombs, the triathlon-all represent the illusion of control. We build monuments, host events, pretend everything’s orderly. Then something ancient, primal, and utterly indifferent rises from below. That’s not horror. That’s truth.
I loved it. I really did. The acting was so good. The music was perfect. The shark looked real. I cried when she found the locket. I’m not even sure why, but I did. And the way the water looked in the night? So pretty.
Let me tell you, the way the director used the architecture of Paris as both a sanctuary and a labyrinth is genius. The Seine isn’t just a body of water-it’s a narrative artery. The lighting shifts from golden hour to deep blue undertones mirror the protagonist’s psychological descent. And don’t even get me started on the sound design-the way the shark’s sonar pulses sync with the heartbeat of the score? That’s not editing, that’s alchemy. This film doesn’t just entertain-it redefines the genre’s emotional architecture.
80% on Rotten Tomatoes? That’s a lie. The script is riddled with plot holes bigger than the Seine. A shark in Paris? How did it get there? No explanation. No quarantine? No military response? And the catacombs scene? You think people would’ve evacuated after the first attack? This isn’t horror-it’s lazy writing dressed up with pretty visuals.
i just watched this and now i cant sleep. the shark looked so real i thought my tv was broken. also i cried. not because of the movie. because i remembered my dog died last year and i never got to say goodbye. this movie hit me in the soul. or maybe i just need to go outside.
You know what’s wild? This movie made me feel seen. Not just because of the shark, but because of how the protagonist kept going even when everything was falling apart. That’s what life is. You lose someone. You keep walking. Even when the water’s full of teeth. I’m telling my sister to watch this tonight. She needs it.
Honestly, I came in skeptical, but this movie surprised me. It’s not perfect, but it’s heartfelt. The way they used Paris as a character? Brilliant. And the ending? No cheap jump scares-just quiet, aching resolution. That’s rare in horror these days.
I’ve seen shark movies since I was 5. This one? Actually good. No dumb characters running into the water. No one says 'I’ll be right back' before getting eaten. Finally.
This is why Hollywood is dead. A shark in Paris? Who wrote this? A 12-year-old who just watched Finding Nemo? This isn’t cinema. It’s a Netflix algorithm’s fever dream.
i think the shark was realy a metaphor for the patriarchy and the catacombs were the hidden history of women in france and the triathlon was the struggle of modern life and the locket was her mother’s voice and i think the director is a genius but also i might be overthinking it
Let me tell you something-this isn’t just a movie. It’s a *movement*. A seismic rupture in the fabric of aquatic horror. The shark? It’s not a beast. It’s a phoenix rising from the ashes of colonial nostalgia. The Seine? A bloodline. The catacombs? A cathedral of forgotten screams. And Bérénice Bejo? She’s not acting-she’s channeling. This film doesn’t just scare you. It resurrects you.
I think what really makes this film work is how it doesn’t rely on cheap jump scares. Instead, it builds dread through atmosphere-the way the water distorts light, the silence between the shark’s movements, the way the city keeps going even as people die. It’s like watching a dream where you know something terrible is coming but you can’t wake up. That’s the real horror. Not the shark. The inevitability.
Rotten Tomatoes gave this 80%? That’s not a rating, that’s a conspiracy. This movie is a glorified YouTube short with a $100M budget. I’ve seen better shark attacks in a Minecraft mod.